In Zoolander's first few minutes, the potential agonists and conflict of the plot were introduced. In this case, it included individuals that were conspiring a sinister plan, and need someone to manipulate. One man begins to describe the type of person that they may need to make that plan work, and the filming immediately cuts to the interview of Zoolander. A general background of this character is understood with this scene and the cut shows the viewer that Zoolander is the type of self-absorbed, shallow, dim-witted person that could be easily manipulated. An important foundation of the plot is created in the opening scene, although there are still crucial elements that have yet to be shown. Derek Zoolander's persona can also be identified from his career, fame from testimonials, and general popularity. The opening scene included several wide-shots, mid-shots, and two-shots of characters, in particular with the potential antagonists and the interviewer. Many close-ups of heads and faces of the same characters were also seen. In particular, there were extremely short takes expressing the fast and busy pace of the scene, documenting close inserts of objects. The first scenes incorporated upbeat incidental music in contrast with the sinister music found in the scene involving the antagonists. The antagonists were also associated with dark lighting for a more ominous effect. Except for the aerial shots of New York City, the scenes were shot inside, indicating that the movie could have possibly been set in a studio. Accurate props such as makeup and brushes in addition to costumes show Zoolander and his fashion crew at work, providing an accurate atmosphere given the character. There are no job titles seen except for Paramount Pictures and Village Roadshow Pictures in association with VH1 and NPV Entertainment. The comedy's budget was $28 million and made $60.8 million in the box office. The movie was had 11 nominations, and won the Choice Hissy Fit of the Teen Choice Awards for Ben Stiller in 2002.
The first shot is an insert of Elf #1's feet as he walks down the hallway and approaches the conference room. It attempts to create a feeling of earnestness and curiosity as to where the board member is going and what will ensue. The second shot is a mid-shot of the Board of the North Pole at the end of the conference table, with the President of the Board and Elf #2 waiting for Elf #1 to sit in his empty seat. This tries to create an effect of seriousness and urgency to the situation of Santa Claus being fired. The third shot is an insert of a "Missing Rudolph" poster. This shot signifies the importance of Santa Claus's faults, as seen by losing his most important reindeer. The fourth shot listed is a wide shot of the Easter Bunny entering the conference room and slowly walking out after listening to the commotion. This shot attempts to incorporate humor by providing relief to the tension after addressing Santa Claus's wrongdoings, which could be s...
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